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Scheduled
Readings
Saturday, April 14, 2007, 10:30 a.m.
Reading/book signing: The Plaza at Clover Lake, 838 Fair Street,
Carmel, NY. Funded by Poets & Writers, Inc. through a grant from
the New York Council on the Arts.
Saturday, April 21, 2007, 12 noon. Reading/book signing: Kent
Public Library, Route 52, Kent, NY. Funded by Poets & Writers,
Inc. through a grant from the New York Council on the Arts.
Thursday, April 26, 2007, 4 p.m.
Reading/book signing: The Village Bookstore, Washington Avenue,
Pleasantville, NY.
Saturday, April 28, 2007, 3 p.m.
Featured poet, Ear Inn Poetry Series, 326 Spring Street, New York,
NY.
Saturday, May 5, 2007, 1 p.m. Reading/book
signing: The Book Cove, 22 Charles Colman Blvd., Pawling, NY.
Funded by Poets & Writers, Inc. through a grant from the New York
Council on the Arts.Wednesday, May 9,
2007, 8 p.m. Open mic, Molten Java, Greenwood Ave., Bethel,
CT.
Friday, July 13, 2007, 7 p.m.
Reading/book signing: Barnes & Noble, Arena Hub Plaza,
Wilkes-Barre, PA. An artistic collaboration featuring Perry
Orfanella on bass.
Friday, July 20, 2007, 7:30 p.m. Open mic: Hudson Valley
Writers’ Center, 300 Riverside Drive, Sleepy Hollow, NY.
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| From the Author:
I did not know much about poetry, and knew even less about
writing poetry until my junior year at Columbia. I was looking
for a course to fit into an open time slot in my schedule and came
across "Modern Poetry" in the college course guide. Since up
to that point in my education poetry was anything but modern, I
thought it might be interesting. As it turns out, the course
had a profound influence on my life. The professor teaching
the class was Kenneth Koch, a founding member of "The New York
School of Poets" along with John Ashbury, Frank O'Hara, and James
Shuyler. I had not heard of Koch, but quickly came to realize
how important a figure he was in the literary world. It is
hard to decide how his body of work has influenced me the
most. His books on education are classics in the field and his
poetry is among the finest of the 20th century.
Koch used
imitation as a way to help us become more intimate with a poet's
style and with the creative process in general. I wrote
terrible poetry during my two semesters with him, but that was
fine. I was writing and learning, and ever so slowly
developing a style of my own. As a graduate student at Fordham
I took a course with Ed Wakin who taught me a lot about the
editorial process. In the years that followed, I began writing
things in various genres and submitting to magazines and
newspapers. Slowly I began to find some success and attempted
to build on it. Success with poetry sort of came as a
surprise. I was much more involved with journalism, but found
that after practicing with many styles of poetry and reading as much
as I could, I developed a style that worked for me. I found
that the concise use of language in poetry and journalism make those
genres more similar than one might imagine.
I like to draw
inspiration from the everyday events that make up a lifetime and
have become especially interested in bringing the memoir process
into poetry. Poetry does not change the world or the people in
it. It can make people think, feel, and be a little happier
for a while, and that is probably enough. It is a wonderful
tool for self-examination and for preserving life's little moments
sort of like photographs are able to do.
If I have any
"mission" as a poet, it is to bring poetry into the literary
mainstream. For so long, poetry has been covered by a shroud
of mystery, as if one needed a special gift to be able to read,
write, and enjoy it. I would like poetry to be something that
the general public reads and looks forward to like the latest work
by a best-selling novelist or the new CD by a chart-topping
recording artist.
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