To Beat a Dead Horse  by William Campbell  ISBN: 0-9753388-6-2

Beating a dead horse is easy.  It's dead.  Hit it all you want, it won't hit back. Watch out for these stories, though.  They bite and scratch and put you face to face with your darkest nightmares.  Meet a reporter who knows too much about a sinister crime, a woman obsessed with a dead serial killer, a hitchhiker with a magical gift, a tooth-fairy who won't take no for an answer, a loner who gets his blow-up doll pregnant, and an abortion nurse who has a plan for those unwanted fetuses.  From a basement turned into a torture chamber to a Nebraska highway you'd beg not to be stranded on, these twelve stories and five stage plays will lash out at your imagination and leave you whimpering for more.

 

Now Available: Order your copy from Amazon.com today!
 

Scheduled Readings

Saturday, January 8th at 2:00 PM at the Oak View Barnes & Noble, located at 3333 Oakview Dr., Omaha, NE 68144.

Saturday, February 5th at 1:00 PM at The Bookworm at 8702 Pacific St, Omaha, 68114.

 

Performances

Bill's full length play, Prosperity, will be performed [as a staged reading] on Saturday, January 22nd at 3:00 at the Shelterbelt Theatre, 3225 California St., Omaha, NE 68131.

 

 

photo by Don Nguyen

"Two Wrongs" production photo by Don Nguyen
(from To Beat a Dead Horse)

Excerpt from "Don't Cheat the Tooth Fairy" 

The thing that held Craig's wrist was covered in teeth.

Teeth jutted out from every part of its body, covering every nook and cranny from head to toe. Incisors, molars, bicuspids. Teeth of every shape and size. Many were small, deciduous, but others had been permanent teeth. Some were white, well cared for, brushed regularly, while others were yellowed and decayed. It breathed, teeth scraping against each other as its folded wings slowly rose and fell with each breath.

The creature blinked, tooth-covered eyelids sliding over slate white enamel eyes.

It pulled him close to its studded body until they were face to face. Its lips pulled back into a snarl, revealing a mouthful of perfect teeth. The cleanest, whitest teeth he’d ever seen. And razor sharp. Its mouth parted, and inside, Craig saw that its palate, tongue, the insides of its cheeks, even the little piece of flesh that hung in the back of its throat (it was called the uvula, he thought, one of his fifth-graders was asking about it the other day) were covered with teeth. As it slowly closed its jaw, the teeth moved together like clock gears. A machine made to render and chew.

Its enamel eyes stared into his, waiting. A white- knuckled fist squeezed Craig’s heart. His lungs tightened. He fought for breath, struggling to free him arm, but the creature’s grip was too tight.

“I told you, I don’t have her tooth!” he screamed.

 

Excerpt from “Two Wrongs” 

Davis threw the switch, giving Parks the first of four 2400 volts sets. The chamber lights brightened. Parks stiffened in the chair, his back arching as far as the straps would allow. His fingers twitched, and there came a sizzling sound, like bacon frying.

The guard cut the current, but not before the smell, the sickly sweet odor of burning flesh, permeated the small room. Gene checked the time again, then gave the signal to continue.

Parks's skin turned red, swelling against the straps. Vomit and blood ran down the front of his coveralls. Smoke curled up from the electrodes. Sparks burst forth from the metal cap, showering like fireworks. I had seen this happen before, as though the chair had its own plan for each prisoner. For some it was quick, seemingly painless, but for others death came slow and messy. It was worse on humid nights. The muggy air seemed to steal away half the current, leaving Parks with a slow coming dark.

David shut off the voltage again, but Parks continued to twitch. He was still alive. “Dear God,” I prayed.

Davis gave the third jolt. I broke out in a sweat, yet the room now felt strangely cool. Goose pimples covered my arms, and I had the feeling my hair was standing on end, as though an enormous pressure was building up. The air suddenly turned dry, as if all the moisture had been sucked out of the room, leaving only charged static behind. The lights grew brighter, and then blinked out.

I couldn’t see anything for a moment. My eyes gradually adjusted to the darkness, and I staggered backwards, unable to believe what I saw…

 

About the Author:

William Campbell has been telling stories for what must be his entire life. His earliest memory of storytelling comes from when he was four. Apparently trying to understand what it meant to be adopted, he told his parents he was born in Germany and had to cross the ocean to be with them. According to his story, the ship sank in a terrible storm. He finished the journey by holding onto a piece of debris until he washed ashore.

His parents' dropped-jaw reaction: "Where did Billy learn the word Germany?"

 

William has been creating make-believe ever since, from comic books in elementary school, claymation movies in jr. high, depressing, "woe, I must cut my wrists" poetry in college, and finally to fiction. He had some minor success in the early 90's, but had to take time off from writing to deal with family problems. He began writing again this century. His short stories have appeared in Project M-Zine, Aofie's Kiss, Alternate Realities, Short e-Stories, and Flashshot, to name a few.

He has recently turned his attention to writing stage plays. His plays have appeared at the Shelterbelt Theatre in Omaha, the Heartland Theatre in Normal, Illinois, the University of Idaho Repository Theatre, and Playwright's Showcase in Denver.

Whether it’s short stories or stage plays, his writing is always a product of his popcorn culture and short attention span. He blames his love for horror and things that go bump in the night on a Norman Bridwell children's book. How to Care for Your Monster taught him that you can have a monster as a pet. Maybe William took the book too seriously.

Born in Oklahoma, he has also lived in Texas, Wyoming and Iowa. He currently lives in Omaha with his wife, children, a parrot and a Great Dane that he constantly tells to get off the couch. When not writing or reprimanding his dog, he works as a speech-language pathologist.


"Two Wrongs" production photo by Don Nguyen

 

 

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