I had an elderly uncle, Al, who took great pride in introducing me to
the staff members who cared for him at the Somers Manor Nursing Home
where he spent the last year or so of his life as, "My nephew, he is a
school teacher." I in turn always took great pride in being introduced
that way. It was far better than being recognized as the "voice on the
radio" during my days as a disc jockey and newscaster or having
someone comment on a publication that had appeared in a magazine or
newspaper.
While it is always validating to have something
accepted for publication, I consider myself first and foremost a
teacher. Every writer I have ever read has at some level become a
teacher to me. When I was an undergraduate at Columbia University, if
you were not pre-med, or at least pre-law, you might have well have
introduced yourself as "pre-death" and how dare you take up a spot in
an Ivy League class if your ultimate goal was not to climb to the top
of one of the "elite" professions.
As I move through life and acquire new experiences
in and out of the classroom I find that I have things to say. I find
also that from time to time, people like what they hear. Putting some
of these things down on paper has been a big step. Do I for example
have as much to say as the voices that have inspired me: Kenneth Koch,
Bob Greene, Anna Quindlen, Mike Lupica, Pete Hamill, and all the rest?
Growing older has helped me realize how much
certain periods, people, and places in my life meant to me. I also
realized how much of it was slipping away, perhaps for good. I
realized that as a writer, or the one I had hoped to become, I could
not only capture "now" but could also bring back a lot of "then." Had
I known earlier how much I would value the past I would have done more
to preserve it. As I found more successes as a poet, journalist, and
essayist, I realized that the past was all still inside of me
somewhere. The possibility of helping others to realize the same was
appealing. As a teacher I have that chance.
There are shelves and shelves of books about
writing, including textbook after textbook about grammar and usage.
Many focus on the technical aspect, the how to publish aspect, the
different genres. What about one for the person I was? Someone who
wanted to be a writer but did not know what a writer did, thought
about, went about his craft?
My goal with this book is to share some of what I
have found to be helpful in my workshops and classes. There, I tend to
be very relaxed as far as curriculum, letting things take whatever
direction seems to work. We write together, share, and shape things.
Some of our pieces reach final form while others do not. The same
happened in the writing of this book. I started with some main themes
and areas I wanted to visit. Some new, some based on pieces previously
published. Some of my columns and articles seemed to exemplify what I
was aiming for in various sections so are included. Other times I was
reminded of things I had written but never done anything else with.
Where these random musings seemed to fit, where they might have been
things I would share in a workshop to make a point, they appear here
in the same unfinished form I would have shared with my students in
those settings. I have also included a brief writing prompt at the end
of each section that I hope will be useful. Try them, change them, and
see where they take you.
In my writing workshops a kinship of sorts develops. A trust in
each other and an intimacy that is essential in any relationship tend
to emerge. What I hope this book has become is a writing workshop that
can be visited when you are looking for a jump start or just a friend
with whom to write. It is part memoir, part inspiration, part
instruction, part literary scrapbook. I hope it will leave you with
the feeling that we have met, worked together and become part of each
other. The title of the book? I thought about some of the metaphors I
have used in writing instruction. Strip-mining and time travel were
high on the list, but "getting naked" is the one that seemed the
strongest, the one that seemed to best exemplify the idea that the
best writing comes from developing an intimacy between reader and
writer where there is nothing to hide. It also allows writers to
become more comfortable with, and more connected to, the beauty and
value of their own lives, no matter how ordinary they might think them
to be. Get naked and explore the possibilities.