Scenes from an Ordinary Life:  Getting Naked to Explore a Writer's Process and Possibilities by Lou Orfanella      ISBN: 0-9766652-5-5

A well-known writer, lecturer, teacher, and workshop facilitator, Lou Orfanella, the author of Composite Sketches, now takes his readers inside the creative process with Scenes from an Ordinary Life: Getting Naked to Explore a Writer’s Process and Possibilities. In this unique combination of informative essays, personal anecdotes, writing samples, and thought provoking prompts, he combines instruction, inspiration, and memoir to create a literary scrapbook and a portable writing workshop for both novice and veteran authors.

 

Now Available: Order your copy from Amazon.com today!



 

Scheduled Readings
 

Aug 10.  Multiple round open mic night.  Bethel Arts Junction, 5 Depot Place, Bethel, CT. 7:30p.m.

Aug 19th. Hudson Valley Writers Center.  Sleepy Hollow, NY.

August 20, 1 p.m. Humongous Book Bash.  Whitlock Farm Booksellers.  20 Sperry Road, Bethany, CT (203-393-1240)

Aug 24. Reading followed by open mic.  7 p.m. Patterson Library, Route 311, Patterson, NY. Funded by Poets & Writers, Inc.


August-October.  Memoir writing workshop, Saturdays 10 a.m.  The Plaza at Clover Lake, Fair Street, Carmel, NY.  LORFANELLA@hotmail.com for further details. Funded by Poets & Writers, Inc.
Introduction

I had an elderly uncle, Al, who took great pride in introducing me to the staff members who cared for him at the Somers Manor Nursing Home where he spent the last year or so of his life as, "My nephew, he is a school teacher." I in turn always took great pride in being introduced that way. It was far better than being recognized as the "voice on the radio" during my days as a disc jockey and newscaster or having someone comment on a publication that had appeared in a magazine or newspaper.

While it is always validating to have something accepted for publication, I consider myself first and foremost a teacher. Every writer I have ever read has at some level become a teacher to me. When I was an undergraduate at Columbia University, if you were not pre-med, or at least pre-law, you might have well have introduced yourself as "pre-death" and how dare you take up a spot in an Ivy League class if your ultimate goal was not to climb to the top of one of the "elite" professions.

As I move through life and acquire new experiences in and out of the classroom I find that I have things to say. I find also that from time to time, people like what they hear. Putting some of these things down on paper has been a big step. Do I for example have as much to say as the voices that have inspired me: Kenneth Koch, Bob Greene, Anna Quindlen, Mike Lupica, Pete Hamill, and all the rest?

Growing older has helped me realize how much certain periods, people, and places in my life meant to me. I also realized how much of it was slipping away, perhaps for good. I realized that as a writer, or the one I had hoped to become, I could not only capture "now" but could also bring back a lot of "then." Had I known earlier how much I would value the past I would have done more to preserve it. As I found more successes as a poet, journalist, and essayist, I realized that the past was all still inside of me somewhere. The possibility of helping others to realize the same was appealing. As a teacher I have that chance.

There are shelves and shelves of books about writing, including textbook after textbook about grammar and usage. Many focus on the technical aspect, the how to publish aspect, the different genres. What about one for the person I was? Someone who wanted to be a writer but did not know what a writer did, thought about, went about his craft?

My goal with this book is to share some of what I have found to be helpful in my workshops and classes. There, I tend to be very relaxed as far as curriculum, letting things take whatever direction seems to work. We write together, share, and shape things. Some of our pieces reach final form while others do not. The same happened in the writing of this book. I started with some main themes and areas I wanted to visit. Some new, some based on pieces previously published. Some of my columns and articles seemed to exemplify what I was aiming for in various sections so are included. Other times I was reminded of things I had written but never done anything else with. Where these random musings seemed to fit, where they might have been things I would share in a workshop to make a point, they appear here in the same unfinished form I would have shared with my students in those settings. I have also included a brief writing prompt at the end of each section that I hope will be useful. Try them, change them, and see where they take you.

In my writing workshops a kinship of sorts develops. A trust in each other and an intimacy that is essential in any relationship tend to emerge. What I hope this book has become is a writing workshop that can be visited when you are looking for a jump start or just a friend with whom to write. It is part memoir, part inspiration, part instruction, part literary scrapbook. I hope it will leave you with the feeling that we have met, worked together and become part of each other. The title of the book? I thought about some of the metaphors I have used in writing instruction. Strip-mining and time travel were high on the list, but "getting naked" is the one that seemed the strongest, the one that seemed to best exemplify the idea that the best writing comes from developing an intimacy between reader and writer where there is nothing to hide. It also allows writers to become more comfortable with, and more connected to, the beauty and value of their own lives, no matter how ordinary they might think them to be.  Get naked and explore the possibilities.
 

What People Are Saying:

“If you are aspiring to be a writer of any kind, then Lou Orfanella’s book, Scenes from an Ordinary Life: Getting Naked to Explore a Writer’s Process and Possibilities is recommended reading. Whether it be a syndicated radio show like American Top 40 or the movie It’s a Wonderful Life or a novel like The Time Machine, Orfanella’s book provides a multitude of inspirations for writing themes. And you do not have to be an aspiring writer to be inspired by his book. I have learned firsthand that the older you get, the more difficult it is to keep all those great memories of your life in your brain, so documenting things becomes essential. Either way, this book is fascinating reading.”
          – Rob Durkee, author of American Top 40: The Countdown of the Century

“Lou Orfanella's Scenes from an Ordinary Life is one of the most unusual writing books you'll ever pick up. Among other things, you hold in your hands a whizbang journey across American pop culture landscapes, circa 1950s to the present. Great books, poets, movies, New York City subways, influential teachers, and quiet moments that end up mattering more than we first thought are all collected here. The book is also part memoir but more than anything, it's a stimulating pep talk that will make readers run for a pad, pen, pencil or word processor. Scenes from an Ordinary Life teaches us – or reminds us – that writing is the greatest time machine you'll ever ride!”
          – Oscar De Los Santos, author of Hardboiled Egg and Infinite Wonderlands

 

 

 

 

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